I am a researcher specialising in modern and contemporary design history and cultures, with a focus on communication design, digital technologies, and the relationship between design, media, political theory and public policy. My primary research skills lie in qualitative methods, including digital and physical archival research (including the use of web archives), object-based analysis, content analysis, comparative case studies, interviews, collaborative workshops and integrative literature reviews. I have an international research profile spanning the US, UK and EU, and I am currently a Postdoctoral Researcher at the Institute for Design Informatics at the University of Edinburgh, where I work on the ekip: European Cultural and Creative Sectors and Industries Policy Platform project.

In my role on the ekip project, I collaborate closely with all 17 project partners across Europe to evaluate qualitative and quantitative data on the project’s impact in creating networks for cultural and creative industries (CCIs), developing recommendations for EU policy on R&I and other key areas for CCIs, and supporting capacity building that equips CCIs with the knowledge and skills to boost innovation capacity, specifically around the green and digital transitions. I am also contributing to research on the digital knowledge commons and open data in the cultural heritage sector, specifically exploring the negative effects of AI scraping on the digital infrastructures of public online collections. As part of this work, I am leading on a book proposal on the digital commons and digital heritage for University of London Press series on Digital Cultural Heritage (expected submission November 2026).

I was awarded my Doctor of Philosophy in Design for my thesis, Design and Information Disorder in the American Mediasphere: Communication Design Infrastructures, Objects and the Aestheticisation of Politics, in April 2026 from the University of Edinburgh. Funded by a UKRI/AHRC grant through the Scottish Graduate School for Arts and Humanities, my research examined how communication design shapes sensationalised news production across two critical junctures in US media—the 1890s and mid-2010s—situating case studies of sensational newspapers and “fake news” websites within contexts of financial crisis, rapidly changing technologies, and rising populist discourse. In 2021, I earned my MA in Design History and Material Culture (with distinction) from the V&A/Royal College of Art, and I hold a BFA in Art and Design History (summa cum laude) from the Pratt Institute.

In addition to my academic research, I have held several roles with leading cultural heritage institutions in the US and UK. In early 2026, I was a Transport Archive Volunteer in the Science & Technology Department at National Museums Scotland, working on archival files of the Transport collections and updating object records in the museum’s digital collections management system. In 2023, I led a three-month project at the V&A in London that surveyed the museum’s history of collecting digital objects, as well as evaluated protocols for the acquisition and preservation of digital objects. Outputs included an internal research report, as well as several public-facing articles for the V&A website, including a piece on the department’s history of collecting digital objects and a blog post discussing the project and the importance of research into the preservation and interpretation of digital culture. I have previously served as a researcher on 20th and 21st-century design in museums, assisting with exhibitions, researching permanent collections, and archiving and cataloguing. These include the Victoria & Albert Museum in London (Design & Digital), the Museum of Modern Art in New York (Architecture and Design), the Metropolitan Museum of Art (Modern and Contemporary), the Cooper Hewitt Smithsonian Design Museum, and National Museums Scotland (Science & Technology). In 2020, I co-led the digital archiving project, Design in Quarantine, which explored methods for the online archiving of design during a period of crisis, inspired by the technique of rapid-response curation pioneered by the V&A. The project was awarded the Design History Society’s Virtual Design History Student Award in July 2020 and received international press coverage, including in the Financial Times and the New York Times, amongst others.

My academic publication record spans the field of cultural heritage, design and digital culture, and includes a guest-edited Special Section of the Journal of Design History on digital material culture (2026), an article in Visible Language (2025), a book chapter with Springer (2023), an article in RMIT Design Archives Journal(2021), and a contribution to Pandemic Objects (Cormier, 2024). I also have two book reviews published in the Journal of Design History (2024, 2026) and a forthcoming paper in the Journal of Curatorial Studies on a mid-20th century poster exhibition curated by Mildred Constantine. Demonstrating my interest in translating academic research for policymakers, I have contributed to the FalseWebs Network Policy Paper: Understanding and Addressing Misinformation in Scotland (2025), drawing connections between design history and contemporary misinformation campaigns. I have also presented papers or organised panels at a number of international conferences including conferences of the Design History Society (2021, 2022, 2023, 2026), College Art Association (2024), the Born Digital Cultural Heritage Conference (2023) and American Studies Association (2022). Prior to my postgraduate studies, I worked as a freelance journalist for Design Observer, AIGA’s Eye on Design, the New York Review of Architecture, MODERN Magazine, and the Magazine ANTIQUES.

At the University of Edinburgh, I have held undergraduate and postgraduate tutoring positions in the Edinburgh College of Art, the Edinburgh Futures Institute, and the Institute for Design Informatics on courses spanning design, culture and data. I have also co-organised three workshops for PhD students, two of which have focused on foundational theories and methodologies for humanities researchers using digital sources, including digitised records and born-digital web archives. Additionally, I have delivered guest lectures at the University of Applied Arts in Vienna (2026), the University of Edinburgh (2025), Edinburgh Napier University (2025), and the Royal College of Art (2024), on design, disinformation and digital cultural heritage.

Since 2023, I have served as a Trustee of the Design History Society, one of the world’s leading organisations for design history scholarship. In this role, I oversee website development, co-created a new membership portal, and am developing an online “Knowledge Bank” for educators to share teaching materials about and for design history. This trusteeship connects me with an international network of design historians across India, New York, and Lebanon. I was previously a member of the FalseWebs Network (2023-25), a Royal Society of Edinburgh-funded project based at Edinburgh Napier University uniting science communicators and misinformation researchers.

I am always open to new collaborations, so do send me an email if you would be interested in working on a project together!